Bespoke English

 THAT'S NOT FUNNY or I DON'T GET IT.         Determined at once by what is and has been said. what is and had been heard, what is and has been understood as well as the general levels of inebriation as experienced, drunk or quaffed by the listening audience, the joke or jest if you like, presented orally in comedy clubs with the usually overdone physicalisations of the comedienne, more than usually receives laughter of the audience in response. People as in audiences,  captive or otherwise, most often get the laugh, the humour, the point of the joke as they, the many of the audience are also aware of the understandings and situations that led to the initial creation of the jest itself.  Buoyed as they are on the four major reasonings or drives if you like of human communication, those being necessity, the recognition of others apart from self, the presenting of oneself to others and complaint/opinion, jokes in general work because they, in their tellin...

HOW DO I KNOW WHAT I THINK UNTIL I SEE WHAT I SAID!  AdawG warKzintuRtelEgraFofFisinthAauldWest tuSenDamessAje byWyR ItstanZatthAkownTaAndBarkZatthAClarK HuiZRiiTingDowN thaDawGZwurDZ WuFF WuffwuffWuff wuffwuff wuffWuff wuff Wuff wuff Wuffwuff FinISHdwitHhisscriBing thAClarKfyNaLLilookZuPfroMMthATeLeGRaManDSez DuTuOWspesHaltuDEy UkanaDaNUtHAwuRDforthAsaYmpRiCEazthismessAje ThaDawGlookZatthAclarKanDSeZ WellyuNGman IthankUmowStSinserLiforThaToffa ButtinAWltruTH thaAddinGovaNuthaWUrd forfrEEazusaY woodMayKthaMessAje  UNreeeDaBUL. Intriguing in both form and substance as this enticement might be to the casual viewer, scribed as it is usually spoken or said in English voice and set in place with only                                                         phonetic marking and breathing breaks,               ...